Everything is in a name

If you split my life into two halves on the basis of my stay at a place, the story ends this year. While the second half is spread over various villages, towns, and cities across states spanning the prime directions of the vast spread of the country, the initial half is only about my hometown. The years of birth and growth. Depending upon the person, setting and status, in any interaction sooner or later, you are asked: 'Where are you from?', as in 'What is your hometown?' And the answer is easy if you were from any of the metros or other popular destinations like Darjeeling or Timbaktu. You could just say that; and the conversation moves on to the next Q&A. But when you are from the place where I am from, you think for a moment, you take some time to give a reply.

Though it is one of the questions that is as factual as fact can get, still a few seconds are a necessity to phrase my reply. That has been the case for the many, many years. Especially, when the other person is from any of the far away places like Delhi or Dimapur, you really try hard to provide an answer that is not going to invite any confused looks, or any answer that is not going to cause you any embarrassment of repeating the name over and over, or explaining the way it is supposed to be pronounced and avoid getting irritated. And an answer that is going to directly take both of you to the next topic, and take forward the talk. So, I say, unconvincingly with a sense of despair, '..from near Kanyakumari..near Madurai...' 'I see, what else going on..', and the conversation continues. Instead of describing the location of my town on the map like I did, had I dared to give the precise reply, invariably I would have  invited any of these: 'What? Come again..' (with a naturally puzzled look), 'Oh.. I have heard of such a place..' (in a sympathetic tone), 'Yes, yes, it is the place with the tallest temple tower in South Asia.' (with an air of command, though it was plainly incorrect). Then I had to spend some precious minutes in explaining the history, demography, politics, science and technology, and socioeconomic attributes of my town. I also try to mention about the greatest personalities (including myself, yes) from my town, in case it rang a bell. And by the time I am done - the person is no longer there. 

It goes like this: It is one of the few districts, probably among the handful of districts of India that can boast of having everything - a mountain range, a naval base, a near-perennial river, an enviable wildlife sanctuary, a controversial nuclear plant, and also a decently long coastline. I also supplement with the etymology of my place's name, the deep-rooted mythology, the notorious 'violent' image of the district, the recent history spanning 230+ years including the importance of missionary schools and the district medical college hospital that caters to the post-mortem needs of every dead man and dead woman within a radius of 100 km. The highlight was always the revolutionary patriotism that troubled the British around the World War I years, and the unparalleled wheat halwa that is best when served hot. But again, depending on the mental makeup of the listener, I also cut out most of it, just telling myself, 'What is the point in saying all this to someone who thinks even a Mallu is a Madrasi..?' Just, 'Down south' would suffice for such people. Let them be deprived of the treasure of knowledge. There was also a bulky class of people who would not believe in 'dosai'; to them what mattered was 'dosa'. Yuck. I think you see my point; such friends need no real answer. The cocoon is not be disturbed. 

So, this time it was one more setting - a business couple from the very northern reaches of the country, well-educated, living in Bangalore. Well, education did not necessarily mean that they were taught where I was from. So, as a part of the usual routine: 'Where are you from?'. 'Hmm.. from near Kanyakumari..', they did not seem convinced, so I had to continue reluctantly in a manner that I expected would bore them to death, '...on the highway between Madurai and Kanyakumari'. Then something happened. You often hear of life changing experience, like those of the Olympic medal winners. But that moment I went through a life changing, life jolting experience. Firstly, the gentleman and also the lady, both were aware of the fact that my hometown existed on the map. I was clean bowled right in the first ball. To my utter joy they could even get the pronunciation right. And, more surprisingly - the lady's sister actually was living in my town. And it does not end there. My house is located in one of the corners of the town - and the sister lived within some 4 kms from my house. It was as close as it could get, unless my parents decide to rent our house to the sister. The sister was married to a family, a Tamil family, down there. It was so surreal. Here is someone, from a very far land, who did not just know my place, but even had a close relative actually living there. These people could pronounce the name right. The man was even familiar with the kind of place it was, and handed out a few interesting aspects about my town which even I was not aware of. I was surprised to know one of the business families there had renovated its kitchen at a cost of around Rs.30 lakhs. Anyway, dosai and idli aside, more than anything else, it was for the first time in about two decades I have come across someone with roots near the Indo-Pak border, who was aware of my place, and who also could pronounce the name correctly. If that was not a life changing experience, what else was? Finding Neverland? The experience made me reorient my conversation strategy.

The very next day. Usually you come across a 'new' person in your life, roughly once in 3-4 days, unless you are a politician or a pediatrician. It was one of those days, and it was one of those auto-pilot warm-up talks.

'Sir, where are you from?'

'Tirunelveli.'

Books from Lucknow


Every prof. enters the classroom with one motto - convince or confuse 
And the single motto in every participant's mind - confront or crouch

Here's a list of book titles picked up from the classes during my recent, four-week executive training at IIM-Lucknow, Uttar Pradesh, India.

Focus - Daniel Goleman
The Essentials - HBR
Nudge - Cass R. Sunstein
Principle-centred Leadership - Stephen Covey
The Bridge Across Forever - Richard Bach
Images of Organization - Gareth Morgan
In Search of Excellence - Robert H. Waterman Jr. and Tom Peters
The Opposable Mind - Roger Martin



Why Nations Fail - Daron Acemoğlu and James A. Robinson
The Lost Symbol - Dan Brown
The Secret - Rhonda Byrne
Fish! Harry Paul, John Christensen, and Stephen C. Lundin
Where Have All the Leaders Gone - Catherine Whitney and Lee Iacocca
Predictably Irrational - Dan Ariely
The Art of Thinking Clearly - Rolf Dobelli
Sway - Ori Brafman and Rom Brafman
Modern Man in Search of a Soul - C.G.Jung
The Road Less Traveled - M. Scott Peck



Happy reading!

(End note: The handwritten pages are not from any of the books.)

Kabali

Most of us would have seen the famous The Invisible Gorilla video; it startlingly exposes the extent of influence of selective attention in our thought process. Simply put, when you keep looking for something keenly, you end up missing many other things, some of them significant too. So when a long-time Rajni fan enters the theatre he restlessly keeps looking for - style, punch dialog, trademark comedy, high voltage fights, etc., in short, the 5-songs 5-fights template of Rajni. And rightly so, as these are the very things that have defined the Super Star. But in the process, Kabali, a don's story told from the heart, is likely to be missed. (Has been missed). As I write this, in spite of my best attempts to insulate myself from the instant reviews across social media and smart phones, it is clear more and more seats are remaining vacant across the halls in Tamil Nadu and the erstwhile-AP running Kabali. It is unfortunate. (Blame also lies in the trailer that focused only on the action-part, with a special stress on Neruppu da!).

The movie has one of the best performances of Rajni in the recent times. And as a film, Kabali is a well-packaged drama that has a Tamil leader as the central character. The movie opens with a high level meeting of Malaysian cops about release of the Tamil don (leader) Kabali who had completed a 25-year sentence. Then the famously leaked release scene. Rajni sparkles as the old don, who blooms again on getting united with his family, and who dashingly reclaims his space from a menacing Chinese don. The first half is beautifully written and performed. The very first action block that ends with Rajni freeing a multi-coloured parrot from one of the cages in a pet shop - is just the dictionary meaning of style. Also the next one, where  in a ship-breaking yard, Kabali crushes a baddie with his black Merc. Classic instance of star power and style. Such seeming subtle stunts, as against the usual 1 Vs 100 Rajni-fights like in Sivaji (2007), purely bank on the star's screen presence - and they have in deed delivered. Soon after the release, and the following stunt, Kabali comes to his house. This is a a well-written, highly emotional sequence, where the don is seen missing his wife terribly. Rajni has pulled it off with a highly matured performance. You feel his pain. 

Intermittently, the Chinese gangster Tony Lee (Winston Chao) appears. Perhaps, this character is the weakest link in the movie. More than a dreaded evil, Tony looks like a cross between a caricature and cartoon. Tony deserved more depth, better style, and definitely more brain. Veera (Kishore), a traitor-Tamil, is Tony's sidekick. Veera too deserved better dialogues, and more dignity. Nasser as Tamilnesan does justice to his limited footage in the flashback. Yes, the flashback sequence is going to be the most disappointing scenes for the fans, who were eagerly, and obviously looking for a Baasha-like (1995) experience. It is not going to happen anymore. Dot. But if you look at it, the flashback scenes are intelligently presented in the form of Kabali's answers to his students' queries. Perhaps, the makers were sure that it would be tough for us to endure the youth-look Rajni for 20 minutes at a stretch. (They were right). Here again, Rajni sparkles with exactly the right level of performance. The issues of Tamil labourers in Malaysia serves as the backdrop for the episode, in which a small-time leader transforms into a full-fledged don. Now comes the retrofitted ideology of the director, Pa.Ranjith. In  his earlier outing, Madras (2014), it was about the wall and who controlled it that symbolised social power; now it is a western attire. Nothing is left to imagination. Out of the blue, Kabali talks about why Gandhi shed his Western attire, and why Ambedkar was seen in suit and a tie.


In the middle of an action sequence where dozens of bullets keep flying in all directions, Kabali gets to know his daughter was alive, and that she was right there with him. Here again, the Super Star excels as an actor. You got to give it to him. Dhansika (as Yogi) as the daughter has carried out her task well. More emotionally loaded is the sequence wherein Kabali goes in search of his wife, finally lands up in Auroville and spends a night in the vicinity where presumably his wife was living right then. The entire block has been made from the heart, and it is just not possible to ignore Rajni's performance here. Radhika Apte (as Kumudhavalli) bowls us over with her acting. Very rarely, we have come across such genuinely emotional rides in a Rajni movie. Something last seen in Thalapathy (1991) perhaps, where Surya goes to see his mother.

The second half has good action, and for the old Rajni fans there is a lot in store in the climax sequence. (Lot of bullets, blood, etc. in the time-tested 1 Vs. 100 format). Strictly not for the kids and pregnant women! While the first half is about the old don finding his beliefs and roots, the second half is about his comeback and ascension with style. A few days back, this was my FB post:

"I think it is going to be Option (4) for Kabali. *** Endings for a don movie: (1) - The don gets killed - Nayagan, Thalapahty. (2) -The don forgives the villain and continues with his normal way of life - Baasha. (3)- The don fades into oblivion, and dies as a loner - The Godfather III. (4)- The don dies a natural, near-happy death - The Godfather. "

The end lies somewhere in between. It appears so.

Rajni has carried the movie on his shoulders with inimitable elan. But not in his usual form, but in a new, welcome avatar. Here is where the problem lies, possibly. But this is the only way forward for the Star. Next may be a family drama, or a powerful role for 30-40 minutes in  movie with someone else as the hero. But from the script perspective, the main issue lies with what looks like a forced insertion of caste colours in the story. What was projected as a fight for Tamil labourers right to begin with, is all of a sudden revealed as a clash between the genes, groups and castes within the Tamils. And this is kind of awkward for the story, though immensely relevant for the society. Given this point of view, it is easy to appreciate why our man Tony was made to behave like a long-faced fool. Anthony (in Baasha) looked deadly, even without uttering a single word; and that amplified the strength of the hero, the Super Star. But here, Tony behaves like our next-door Tommy in spite of his indiscriminate killings and infatuation with bullets.

Rajni has tried to adapt himself to the changing times by going with a young director, much like I desired. A bold but inevitable move. Hats off! But if there is one man whom team Kabali has to thank next to the Super Star, it is definitely Santosh Narayanan, the music director. The songs are at the top of the all charts. The back ground score is melodious, mysterious, peppy, dazzling, and electrifying - all rolled into one. Music, in fact, is the soul of the movie.

Kabali will be remembered as one of the landmark movies of the Super Star.
Magilchi!

(I hope I have not missed any gorilla).

The Queen’s Gambit (Review)

(Glad that my review got published in Readers Write  - Thank you so much Baradwaj Rangan! ) Streaming on Netflix and consisting of seven epi...