Kuttram Kadithal

"Introduction of sex education in schools: Interview with the cross-section of the public." An Assistant Station Director of Doordarshan asks his journalist to cover the subject. The ASD is VK Ramasamy and the journalist is played by Mohan ('mic' fame). The year was 1987. Rettai Vaal Kuruvi. Almost three decades after the adult comedy by Balu Mahendra the issue is still hot and happening in the Tamil society as well as its prime medium - cinema. Kuttram Kadithal ('The Punishment') has won the National Award for the Best film in Tamil recently. It follows the Kaaka Muttai model, which is about planning the theatrical release after a movie does a festival circuit and/or wins some handsome awards. The philosophy: make a semi-arthouse movie with near zero budget, showcase to the world, publicise the accolades and then go about fixing a release date - and whatever you get after that directly goes to your pocket. Kuttram was the only Tamil movie selected under Indian Panorama at the IFFI, Goa, 2014. By the way out of the 26 films selected, seven were Malayalam, and seven were Marathi.

In the 1987 movie the interviews that span across a spectrum of people are presented in such a way to broadly give a thumbs up for sex education in schools. But in this latest outing on the highly debated subject you never can really make out what the film stands for. Perhaps it has got to do with the subject itself which does not readily align itself with black or white. But more than that the problem remains unresolved in this movie as it also tries to attend to another evergreen issue of corporal punishment in schools. The movie revolves round the incidents that are set off after a fifth grade kid collapses instantaneously after a teacher's slap. Aspects of religion, love, child behaviour, forgiveness, state, guilt, compassion, etc. are fitted painstakingly, with an extra dose of red, in the overall canvas to create a hard-hitting movie where even the characters who are out-of-focus excel in their performance. 

Kutram evolves gradually and you take some time to get adjusted to the long sequences devoid of much humour. Once you are in sync with the heart of the movie you start wondering why there are not many such movies being made. With some amazing shots by cinematographer Manikandan, soulful songs and score by Shankar Rengarajan, and a stellar show by the lead artists - Radhika Prasidhha, Pavel, Uayakumar, master Ajay - the movie does not display any sign of compromise in the craft. Bharathiar's famous song (chinannchiru kiliye..) is intelligently placed in the movie; and its picturisation is just awesome with some really deeply connecting montages that breathe more life into the movie.


But somewhere towards the end the movie takes a melodramatic twist and the vital question it raises remain unanswered conclusively. The teacher comes forward and announces it was wrong of her to hit a child, but the education officer crisply puts that it calls for physical punishment to discipline a child. People with kids can empathise with that! And if you take a look at the other issue of sex education in schools, the way things happen make you wonder - was the education required for the children or in fact for the teacher herself? What is the sense a teacher should make when a fifth grader tells her 'On your birthday I will kiss you!'? How should a teacher react? These areas leave you puzzled, but that is possibly because the movie just wants to flag the issues and not address them. Or is it really so? 

In Anjali (1990), there is a series of naughty sequences with a noisy group of kids like - a little boy kissing an equally little a girl  mischievously, a kid trying to propose to a girl secretly, and a group of kids impishly asking an old man - 'How are children born?' - that soon breaks into a peppy number. In the past twenty five years, perhaps the actual Tamil milieu has not changed much outside director Mani Ratnam's vision. The real (off screen) society is still grappling with the issues like sex education, required level of interaction between boys-girls, etc. But that is no fault of Bramma G., the director of Kuttram. He has done justice to his work; and pretty seriously too. The two hours are worth it. However, do no expect to watch a classic.

Love revisited


'What is happening to me? This is not right.' It was well past 2 o' clock early morning and even the yelling stray dogs around the street corner had decided to cozy themselves up in the dirty rags of the overflowing garbage bins. But Badrinatha's mind refused to rest - and it was not the first such night. His entry-level mobile had a photo of a lady, the image was blurred. But Badri did not take his eyes off it. He was not able to.

He had met Priyanka madam for the first time three months back, within a week of landing in Bangalore. Badri came from a coastal town on the other side of the Western Ghats where he was used only to the crisscrossing breezes from the land and the sea. The December chillness of the city was adding some kind of uneasiness to his body and thoughts. 'Who decides right or not?' He had lived his entire life of two decades in and around his native town and only recently he had joined one of the important branches of that leading private bank (not the one with many Is and Cs) in the heart of Bangalore. Badri was an office boy aka peon, not a manager or an executive. And he was not even on the payrolls of the bank, as just like many other companies the bank too had deployed outsourced office boys for all its branches all over the country. The staffing company had conducted mass recruitment drives in many of the Tier-II cities in south India, and Mangalore was one such place. M.Badrinatha had three siblings, and as a stereotyped poor family, all of them were girls - two elder and one younger. The sad part did not end there - his father's death some time back added an extreme dose of pathos to the family. The cocktail of poverty, three unmarried sisters and the departed father foreclosed Badri's dream of pursuing a higher studies in hotel management. But luckily for the family the staffing MNC had camped in Mangalore. Thanks to the shining India. The B.A. graduate from a small town ended up as one more headcount in that mega HR company during the recruitment drive. Badri's mother was thrilled to see her son getting appointed in a big company in Bangalore. The promised monthly take home was Rs.12,575/-. 'Take care ma, I will talk to you daily. Bye Rekha, Hema, Savithri..!' With a broken heart, but full of hope of a bright life, Badri had set out his journey to Bangalore with the usual mother-made pickles and assorted ready-mix powders in his old Aristocrat briefcase; he also carried a family photo that dated to at least ten years back.

Love is said to strike instantaneously. In Badri's case it was so untrue. It was 9:15 in the morning of 8th September 2014, and Badri reported for work at the MG Road branch. Along with Badri the company had recruited 174 other graduates from small towns. All of them had reported in Bangalore on the first day of September. Over the next five days the entire batch of new recruits were - made to complete their joining formalities, given certain basic behavioral and communication training, evaluated after the training and assigned appropriate client based on the results. While the average ones, in terms of pleasing demeanor, dressing sense and the looks, were sent to various government departments and state-run PSUs, the smart-looking lads with a slightly better shade of communication skills were sent to the best of corporate clients like the private sector bank were Badri landed. Office timings: 9:15 AM to 6:00 PM. Weekly off and other holidays: as per the bank's policy. Uniform: Checked sky blue shirt with a pair of navy blue trousers. Job profile: To assist the zonal manager with the entire spectrum of errands from fetching a cup of coffee from the vending machine to attending to the mobile phones as and when asked to.

Badrinatha was exploding with excitement, 'Yes ma, today was the first day at work!'. The networks took his voice across the mountains to his mother, who was equally excited. 'It is comfortable, the bank office has full AC... Bisleri water for everyone..free tea and coffee.. I have blue and blue uniform.. the company provides it. I have three friends here from my company. Telephone is free ..I can give a call to anyone in Bangalore...it will not be charged..' 'Take care of your health Badri, wear sweaters...don't take too much pickle with food.' 'All four of us are staying in a nearby area..we start by 8:30 in the morning. The bank people are very strict about the office timings. Even one minute beyond 9:15..and they will report to my company. There are huge buildings on the way to my office. This Hemanth.. is from our area.. near Udupi. We are staying together.' 'Your sisters are missing you dear, they are managing all the household works. My knee joints are aching more these days...' 'There is a metro train line very close to my house ma, I will take you all when you come here. Take care of sisters.' The conversation between the mother and the son went something like that. Badri told his mother about everything from the exotic flowers of Lalbagh, to the statues of Sir Visvesvaraya and Queen Elizabeth, to the prevalence of other languages like Telugu, Tamil and the like in Bangalore, and to the spick and span toilets of the bank. But he did not tell her about one thing. But it was quite natural. Priyanka madam.

Within the first one hour of reporting at the bank, Badri was assigned to her. 'Good morning madam.' 'OK, I will call you.' She was busy with her iPad. Soon the tiny red light outside her cabin turned on. It meant Badri was being called in. It was the second time he saw her; not the first time. He did not feel butterflies in his stomach. But when you dive into the river from the height of a cliff your heart is filled with a rainbow of themes like fear, thrill, craziness, freedom, adventure, pride, you feel you are supreme, you feel you are at the top of the world though you are actually falling freely, your body piercing the air and the cool wind hitting your face with an increasing vigour, the dark and inviting waters of the river getting closer and closer and very soon that exuberance, that bliss, that nirvana you experience the very moment when your downward stretched arms just touch the icy chill water and instantaneously your head, torso and then the entire body plunges into the deep, dark waters full of life and you keep gliding inside the water like an arrow without any effort whatsoever, again like a free fall from a mountaintop filled with thrill and freedom, but no thoughts, just a blank mind. Badri felt the same when he saw his boss, Ms.Priyanka Krishna, for the second time. 'Hellooo... can you get these things photocopied quickly..' Yes madam!' 'Dumb fellow.'

Piyanka was by no standards attractive, but no one can deny she was something more than just 'beautiful'. A mystic beauty? Perhaps it was the charm, or the peculiar, tasteful way she smiles. Perhaps it was something that could only be seen and experienced. Perhaps she had a very down-to-earth beauty to her; it was that kind of beauty that was not dangerous, generally. The first time Badri met her she was in a pair of simple, dignified, cotton salwars. The small black bindi on her forehead gave her a perceptible sense of completion. It is not very sure what exactly pulled Badri towards her. But there he fell; the very first day; the very second sight. Priyanka's parents had got her married off when she was twenty four, it was sixteen years ago. Both her sons were in higher classes of one of those reputed convents in the city. Their father, Dr.Krishna, was a reclusive professor at the IIM, Bangalore, researching on something exotic falling under the broad umbrella of microeconomics. But the central point was Priyanka did not look like someone who had lived on this planet for forty years; her charm and the aura of dignity and elegance that was always like a halo around her, easily made people believe she was hardly thirty years of age. 'She should be 34 or 32.. so what even if it is 15 or even 55?', Badri told himself.

A month passed. 'Badri do you support your family?' 'Yes madam. I sent Rs.6500 yesterday..through a friend.' 'That's nice! Such a small boy you are ..and you are supporting the entire family... do you like Bangalore?' 'Madam the place is good but very costly... But I miss my family. I talk to my sisters often. I have promised to buy them a mobile phone. They also want to study further..' 'Work hard. You are very sincere. You will come up in life.' 'Thank you madam', Badri left the freshly-filled coffee cup on Priyanka's desk. 'Is it not cheating? Backstabbing? I am cheap..This lady is so concerned about me..but me.. my stupid mind ..this is wrong..'. As he left Priyanka's cabin with the empty tray in his hands, his heart beat grew louder - almost to the point of becoming audible to the customers seated in the longue.

Second month. '...our world was limited to our village and occasionally Mangalore madam... But our father used to take us to all the nearby temples.. and the village fairs. Madam, everyone liked him.' 'Your innocence..it is very ..no, it is impossible to find boys like you here.', Priyanka was handing over a couple of files to Badri, when the tip of her tiny finger touched Badri for a moment. His cousins living in the coastal villages had told him about the stingray, its sharp venom and the unbearable pain it inflicted, but it also gave the victim a type of high not given even by desi liquor. Badri was reminded of that. But this time he felt a thousand butterflies in his tummy that was already filled with the nearby Sagar's masala dosai and sweet sambhar. 'This is...just an accidental touch with her ...golden finger...delicate lotus petal-like finger...but what an effect! And how beautiful she looked today.. that pure pearl necklace hugging her slender neck..and.. the most charming smile I have seen in my life. The way her cheeks turn red like a red rose, like sapphire.. no ruby stones, when she laughs, blushes.. her husband.. that Krishna guy is very lucky. . boring professor...I wish...No.. stop that fool.' Badri was not able to sleep that night. He had a quick talk with her mother before switching off the lights. He closed his eyes, but his mind wandered. He closed the eyes tightly, his mind picked up many strange and ugly things while wandering. He was awake till 2:45 AM. The next morning he did not remember when he fell asleep. The last song he remembered hearing on the FM was 'Ee Sundara..' from Amrutha Varshini. The lines he remembered roughly translated as '...every day, every moment, you made me dance to your song..'

Third month. It was an office picnic in one of those fancy resorts in the city outskirts. The family members were also invited for the outing. Even the peons on contract were asked to be a part of the fun. The IIM-Professor was not present, but Priyanka had got her sons for the get-together. They were lovely boys. 'Please have this..', Badri offered them two 5 Stars bars, while smiling at Priyanka. The kids indifferently grabbed the bar and moved in the direction of the video game parlour. 'Madam..sir?' 'He is in Indonesia, some presentation, research..we miss him' 'That's sad madam.. I hope we will have another picnic soon and he can come for that', Badri told Priyanka while feeling immensely happy from deep within. 'Thank God! The old man did not turn up.. I hate to even see his face. I love Indonesia!' Soon Priyanka too joined her sons, then she was seen hanging out with her colleagues. Badri just could not take his eyes. For a brief period she was out of his sight. Badri felt terrible. Very soon, his heart told him she was near the buffet area. He went there and she was indeed there. He kept looking at her; her beauty was increasing with every passing day. She was just dazzling in her pair of dark jeans and a printed top. Badri did not even try to look elsewhere; he was just staring at her. Suddenly, to his utter shock Priyanka turned towards him. Badri felt his heart jump into his throat. 'Oh! I am badly caught.. no way.. she will not have a clue..' 'Can you come and click us..', Priyanka handed over her mobile. 'Y..yes madam.' Priyanka was with her old-time friends. They were a joyful lot. One of them too gave her mobile to Badri. Soon after some group shots they dispersed, loudly. Badri did not know from where he got the courage. 'Madam...', he collected himself, '.. can I take one photo?' It was only a few moments before she replied, but those moments were like hell for Badri. 'I am sure she will scold me.. she might ask me to even leave the company.. please..please..' 'Hey, sure!'. And since the picnic day Badri spent hours on his mobile every night; looking at the blurred photo of Priyanka.

'What is happening with me? This is not right.' It was well past 2 o' clock in the morning. 'But who defines what is right? God has not given any rules...only the society.. the humans have created rules. God's only rule is do not kill anyone..nothing more. This is not very unusual for a man. . How to control.. forget it..why the hell to control..?' Badri's mind was a hurricane in itself. The same set of questions and reassuring answers kept going rounds, night after night. The hurricane tormented him. The sleepless eyes begged for some sleep, night after night. 'She is so nice to me.. So what..I am not cheating her.. I am only .. it is OK..the two boys.. So..? This is just my feeling...you have only one life..' He just did not know what was happening. 'Why do you trouble me.. why did I come to Bangalore, darling?', he asked kissing the photo, with some element of guilt and lots of pleasure. Then something happened to him. He quickly texted to Priyanka, 'I love you madam'.

Krishna and Priyanka had a rule: Mobile phones were banned in the bedroom. During the nights the phones were usually left charging on the book rack near the dining table. It had become a habit for the couple.

But that particular night, at around 3:30 AM, a low 'Beep-beep' SMS tone came from somewhere under a pillow. It was Priyanka's pillow.

Maari

Maari (Dhanush) is a mischievous goon (of course, with a golden heart and cigarette smoke in slo mo) in total control of his area in North Chennai; he has a godfather in 'coal' Velu (Shanmugarajan, popularly known as Peikkaaman); there are other baddies waiting for the right moment to dislodge Maari and take his throne; Maari has two close buddies (one Sanikizhamai for comedy, the other one Adithaangi to take slaps from Maari: remember Goundamani-Senthil?); then there is a ruthless, deceitful cop (yes, he is newly posted to Maari's area), and a sweet lady (of course, we need her for dance, etc.). Those are the ingredients of director Balaji Mohan's third project. By now you would have made your own story with that recipe. Don't worry, I am sure you will be 99% right with your story development. Add pigeon racing, Maari's unadulterated love for those peace-loving birds and red sanders smuggling. Bingo! You got it 100%. Yes, believe me!


The film opens with a cop (very neat performance by Kaali Venkat) explaining the rise of Maari from zero to dadahood to the newly posted SI. The initial scenes are presented impressively, and you gear up for another quality entertainer from a successful, young filmmaker. You keep looking for something new, something fresh, to happen, if not with the story at least with the screenplay. That is quite natural as a performer par excellence like Dhanush has joined hands with the KSY-fame Balaji Mohan. But the twist in the script is that - nothing really entertaining or engrossing happens. Apparently, Maari's career as a goonda had kickstarted with his murder of a prominent rowdy. But people also consider it as a rumour. But whatever the case may be, the audience is left to wonder how did Maari actually rise to power. (other than due to Velu's grace.) Throughout the movie Maari keeps uttering (punch dialogue) 'Senjuruvaen' (loosely, 'I will wipe you out.') with a nice style. But till the end you keep wondering what was he referring to. When superstar says 'Naan oru thadava sonna...' it is backed by his powerful voice, and some action in the script to reinforce the point.  But to take out the strong voice as well as not to have any supporting action for the punchline leaves us in the middle of nowhere.

Vijay Yesudas, though he has been given only a limited set of emotions (anger, more anger, disappointment, and helplessness) to perform, sparkles as a menacing cop. But some of his dialogues sound outdated and worse - he is a talkative cop. (After Soodhu Kavvum's Bramma, the audience really do not want a tough cop to open his mouth!) Especially the scene where in front of the police station he shows his true colours to the public - it is a new low in the new wave (the era of short filmmakers-turned-successful directors) of Tamil cinema. His dialogues sound like taken out of Konar urai that used to give one-page explanation for a Thirukkural of mere seven words. One more scene that gives a tough fight to the police station scene is the place when Robo Shankar sums up Maari's legend to the lady. And the ploy of using Kajal Agarwal.. come on! How long should the audience endure such tactics? And how did a family like the heroine's land up in that place? And who are those customers visiting a boutique amidst the slums? More attention to characterisation would have made lives easier for us. 

Dhanush has tried to do whatever he can, but the script does not offer much scope in terms of comedy or action or emotions for the immensely talented star. He has attempted to give a mass entertainer with lots of style and music, but somewhere down the line the movie has failed to create a character and identity for itself. The posters say 'A rockstar musical', but the movie goes in a different tangent and there too it fails in its attempt to balance stylish rowdyism with humour. (precisely where Jigarthanda scored). 

If there is one guy who has taken the movie on his shoulders it is Robo Shankar. With his amazing sense of humour laced with butler English and funny expressions and noises, Robo as Sanikizhamai has provided a rock solid support to Dhanush and the movie. The comedy that runs as a constant undercurrent is enjoyable. Anirudh-Dhanush combination has clicked yet again, but at some places the BGM just falls short (luckily) of rupturing the eardrum. The established cinematographer Om Prakash has done a decent job within the scope offered. The climax fight CG work looks childish, as you can easily make out it is only the computer flames that engulf the piles and piles of logs. The major plus of the movie is the length. It is well under 2 hr 30 mins. More scenes would have made us more restless.

A passable movie that lacks soul. 

The Queen’s Gambit (Review)

(Glad that my review got published in Readers Write  - Thank you so much Baradwaj Rangan! ) Streaming on Netflix and consisting of seven epi...